21º Mostra Internacional de Cinema
SARABANDE
(YO-YO-MA, INSPIRED BY BACH)

Canada

SarabandeInterconnect and the Greek driver has his role a mistake at an airport terminal picking up a musician, cellist Yo-Yo Ma; the consulting room of a woman doctor where several patients go for treatment; a recital on the verge of being cancelled... Different characters and elements blend in Atom’s fiction film to dramatize ‘Suite Number 4 for Cello Solo’.The dramatic element applied by Egoyan, including in his feature The Sweet Hereafter, also part of the selection of the Twenty-First São Paulo International Film Festival, is by the late Polish master Krysztof Kieslowski. Kieslowski’s original mark will be present at the Twenty-First São Paulo International Film Festival with a first feature The Scar, forbidden and unknown to the world up to this year.Egoyan makes Yo-Yo Ma play his own role as violinist lost in an airport and later rehearsing in a limousine on his way to the concert. The characters gradually Interconnect and the Greek driver has his role dramatically dimensioned to a terrain that neither music nor medical science are able to redeem.
 

     Director

DIRECTOR: Atom Egoyam
SCREENPLAY: Atom Egoyam
CINEMATOGRAPHER: Norayr Kasper
EDITION: David Wharnsby
PRODUCER: Niv Fichman
FESTIVALS: Veneza
CAST: Yo-Yo Ma, Lori Singer, Dom McKellar, Arsinée Khanjian, Jan Rubes, Georges Perdakos
PRODUCTION: Rhombus Media Inc. 489 King Street West Ontario M5V1L3 Tel: 001 416 971 7856 Fax: 001 416 971 9647
WORLD SALES: Rhombus Media Inc. 489 King Street West Ontario M5V1L3 Tel: 001 416 971 7856 Fax: 001 416 971 9647
ORIGIAL TITLE: Sarabande
  Col., 56 min., 1997

Atom Egoyan

Atom Egoyan, of Armenian origin, born in Cairo, is the Canadian most often in evidence at the São Paulo International Film Festival. He studied Politics in Toronto. He began by directing Next of Kin (1984), and Speaking Parts (1989, 14th São Paulo International Festival). The Adjuster (1991, 16th São Paulo Film Festival), Calendar (1993, 17th São Paulo International Film Festival), and Exótica (18th São Paulo International Film Festival) are his most recent works.