21º Mostra Internacional de Cinema Competition New Filmakers
CONVERSATION WITH THE BEAST

Germany   

Conversation With the BeastU.S. historian Arnold Webster spends ten days in Berlin interviewing a man who says he is Adolph Hitler. According to this Hitler, Goebbels would have created six doubles to keep him safe. With the fall of the Third Reich, his death was necessary so that he might save his own life. And no one must doubt this death.

He tells the historian how he managed to escape by assuming the identity of actor Andreas Kronstaedt, one of his doubles who died in his place. In Berlin he met a girl called Hortense whom he married.

After this, every attempt to reassume his true identity failed, and he was eventually doomed to live out his days in a dark house with only his wife.

Webster pitilessly questions this man to find out the truth behind the facts told by him with precision. Finally, Webster no longer knows whether he is talking to a mad man or to a brilliant impostor. His doubts only augment when, in Paris, he finds revealing proof of the man's identity.

 

     Director

DIRECTOR: Armin Mueller-Stahl
SCREENPLAY: Armin Mueller-Stahl
CINEMATOGRAPHER: Gerard Vandenberg
EDITION: Ingo Ehrlich
MUSIC: Klaus-Peter Beyer
CAST: Armin Mueller-Stahl, Robert Balaban, Katharina Böhm, Dietmar Mues
PRODUCER: Rudolf Steiner
FESTIVALS: Berlim
PRODUCTION: Rudolf Steiner Film
Blaülingsweg 3 A - 14055 - Berlim
Tel.: 00 49 30 302-6429
Fax: 00 49 30 301-9664
WORLD SALES: Santa Monica Pictures
3025 W. Olympic Boulevard, 90404 - Califórnia
Tel: 00 1 310 828-2456
Fax: 00 1 310 828-9183
ORIGINAL TITLE: Gespräch Mit Dem Biest
   Col., 96 min., 1996

Armin Mueller-Stahl

Born in Tilsit in 1930. He studied to be a music professor, but became an actor instead, beginning with small roles in the theater. In 1955 he made his first appearance on screen in Helmliche Ehen. He subsequently worked in a number of productions for TV. In 1976, he was banned from his profession for signing a petition in favor of Wolf Biermman.

He moved to East Germany in 1980 and once again resumed his activities as actor. He worked in countless European and American productions, such as Colonel Redl, Kafka, Lola and Eine Liebe in Deutschland. He is also a writer, having published his first book Verordneter Sonntag in 1981. Conversation with the Beast is his first film as director.